Barbara Lebitsch has been director of artistic planning at the Elbphilharmonie in Hamburg since 2018. After earning degrees in theater studies, musicology, psychology, and journalism, she served as an artistic planner and director of production at the Konzerthaus in Vienna and for the Wien Modern festival from 2002 to 2012. From 2012 to 2015, she was assistant to the artistic director at the Berlin Philharmonic Foundation. She joined the Elbphilharmonie in 2015 as lead dramaturge.
Hanni Liang is a pianist, concert creator, researcher, lecturer at the University of Music and Theatre Munich and founder of the TONALiSTEN Collective with which she is searching for the future of classical concert life. Next to concerts in the Elbphilharmonie Hamburg, the Piano Festival Ruhr or Kurhaus Wiesbaden, she is initiating social-artistic and participative concerts at festivals like Heidelberger Frühling, Ludwigsburger Schlossfestspiele, Reeperbahn Festival or Mozartfest Würzburg. The next season sees her in performance projects together with Konzerthaus Berlin, Nottingham Concert Hall and Pinakothek der Moderne.
Flutist Eric Lamb was a core member of the International Contemporary Ensemble (ICE) and is currently a member of Ensemble Reconsil (Wien), Synchronos Ensemble (Zagreb), Quasars Ensemble (Bratislava), as well as co-artistic director of ensemble paladino. A versatile performer equally at home with Bach and the composers of today, and in settings from orchestra to chamber music, Eric has premiered over 200 new works by composers including John Adams, Kaija Saariaho, George Lewis, HK Gruber, Michel van der Aa, and Nico Muhly. Among many other projects, Eric has worked in close collaboration with the Stockhausen Stiftung and the Theater Basel to re-create the role of Luzifer in Stockhausen's opera "Donnerstag aus Licht." He teaches flute at the Academy of Music and Performing Arts in Vienna.
Matan Porat is a pianist and composer known for his narrative-based programming. His repertoire ranges from Bach’s Partitas, the complete Schubert sonatas to Ligeti’s piano concerto. He performed recitals at the Philharmonie in Berlin, Concertgebouw Amsterdam, Wigmore Hall and played as a soloist with the Chicago Symphony Orchestra, Konzerthaus Berlin, Helsinki Philharmonic and the Polish National Radio Symphony Orchestra, working with conductors such as Pierre Boulez, Susanna Mälkki, Ludovic Morlot and François Xavier Roth. Chamber music partners include the Artemis Quartet, Cuarteto Casals, Modigliani, Schumann and Jerusalem Quartets. His compositions were commissioned and performed by Nicholas Altsteadt, the Jerusalem Symphony Orchestra, Andreas Scholl, Avi Avital and Vladimir Jurowski. In addition to playing and composing, Porat is also improvising to silent movies.
Julian Steckel studied cello in Berlin and Vienna. He currently performs with orchestras such as the Bavarian Radio Symphony Orchestra, the Munich Philharmonic, the Gewandhausorchester in Leipzig, the St. Petersburg Philharmonic, the Rotterdam Philharmonic, and the Royal Philharmonic Orchestra in London. Besides performing as a soloist, Steckel has held concerts at festivals in Lucerne, Mondsee, Heimbach, Lockenhaus, Zermatt, Bonn, Jerusalem, and Prussia Cove; his chamber music partners include Lars Vogt, Martin Helmchen, Denis Kozhukhin, Paul Rivinius, Christian Tetzlaff, Antje Weithaas, Janine Jansen, Antoine Tamestit and the Ébène, Armida und Modigliani string quartets. He lives in Berlin with his family and teaches a small cello class at the Musikhochschule in Munich.
Barbara Lebitsch has been director of artistic planning at the Elbphilharmonie in Hamburg since 2018. After earning degrees in theater studies, musicology, psychology, and journalism, she served as an artistic planner and director of production at the Konzerthaus in Vienna and for the Wien Modern festival from 2002 to 2012. From 2012 to 2015, she was assistant to the artistic director at the Berlin Philharmonic Foundation. She joined the Elbphilharmonie in 2015 as lead dramaturge.
Hanni Liang is a pianist, concert creator, researcher, lecturer at the University of Music and Theatre Munich and founder of the TONALiSTEN Collective with which she is searching for the future of classical concert life. Next to concerts in the Elbphilharmonie Hamburg, the Piano Festival Ruhr or Kurhaus Wiesbaden, she is initiating social-artistic and participative concerts at festivals like Heidelberger Frühling, Ludwigsburger Schlossfestspiele, Reeperbahn Festival or Mozartfest Würzburg. The next season sees her in performance projects together with Konzerthaus Berlin, Nottingham Concert Hall and Pinakothek der Moderne.
Flutist Eric Lamb was a core member of the International Contemporary Ensemble (ICE) and is currently a member of Ensemble Reconsil (Wien), Synchronos Ensemble (Zagreb), Quasars Ensemble (Bratislava), as well as co-artistic director of ensemble paladino. A versatile performer equally at home with Bach and the composers of today, and in settings from orchestra to chamber music, Eric has premiered over 200 new works by composers including John Adams, Kaija Saariaho, George Lewis, HK Gruber, Michel van der Aa, and Nico Muhly. Among many other projects, Eric has worked in close collaboration with the Stockhausen Stiftung and the Theater Basel to re-create the role of Luzifer in Stockhausen's opera "Donnerstag aus Licht." He teaches flute at the Academy of Music and Performing Arts in Vienna.
Matan Porat is a pianist and composer known for his narrative-based programming. His repertoire ranges from Bach’s Partitas, the complete Schubert sonatas to Ligeti’s piano concerto. He performed recitals at the Philharmonie in Berlin, Concertgebouw Amsterdam, Wigmore Hall and played as a soloist with the Chicago Symphony Orchestra, Konzerthaus Berlin, Helsinki Philharmonic and the Polish National Radio Symphony Orchestra, working with conductors such as Pierre Boulez, Susanna Mälkki, Ludovic Morlot and François Xavier Roth. Chamber music partners include the Artemis Quartet, Cuarteto Casals, Modigliani, Schumann and Jerusalem Quartets. His compositions were commissioned and performed by Nicholas Altsteadt, the Jerusalem Symphony Orchestra, Andreas Scholl, Avi Avital and Vladimir Jurowski. In addition to playing and composing, Porat is also improvising to silent movies.
Julian Steckel studied cello in Berlin and Vienna. He currently performs with orchestras such as the Bavarian Radio Symphony Orchestra, the Munich Philharmonic, the Gewandhausorchester in Leipzig, the St. Petersburg Philharmonic, the Rotterdam Philharmonic, and the Royal Philharmonic Orchestra in London. Besides performing as a soloist, Steckel has held concerts at festivals in Lucerne, Mondsee, Heimbach, Lockenhaus, Zermatt, Bonn, Jerusalem, and Prussia Cove; his chamber music partners include Lars Vogt, Martin Helmchen, Denis Kozhukhin, Paul Rivinius, Christian Tetzlaff, Antje Weithaas, Janine Jansen, Antoine Tamestit and the Ébène, Armida und Modigliani string quartets. He lives in Berlin with his family and teaches a small cello class at the Musikhochschule in Munich.